Publicación: Junio 13 (U.K) / Agosto 9 (U.S.A).
Productor: Pink Floyd.
Ingeniero de sonido: Brian Humphries.
Grabación: Marzo de 1969.
Estudios: Pye Studios, Marble Arch, Londres.
Discográfica U.K: Columbia Records.
N° de catalogo: SCX 6346.
Arte de portada: Hipgnosis.
Lado 1.
01 Cirrus Minor.
(Waters) 5:18
02 The Nile Song.
(Waters) 3:27
03 Crying Song.
(Waters) 3:34
04 Up The Khyber.
(Mason, Wright) 2:13
05 Green Is The Colour.
(Waters) 2:58
06 Cymbaline.
(Waters, Wright, Gilmour, Mason) 4:49
07 Party Sequence.
(Waters, Wright, Gilmour, Mason) 1:07
Lado 2.
08 Main Theme.
(Waters, Wright, Gilmour, Mason) 5:31
09 Ibiza Bar.
(Waters, Wright, Gilmour, Mason) 3:16
10 More Blues.
(Waters, Wright, Gilmour, Mason) 2:12
11 Quicksilver.
(Waters, Wright, Gilmour, Mason) 7:10
12 A Spanish Piece.
(Gilmour) 1:05
13 Dramatic Theme.
(Waters, Wright, Gilmour, Mason) 2:16
Tiempo total: 44:54 minutos.
Vinyl Long Play - Edición Estéreo U.K:
Discográfica: Columbia.
N° de catalogo: SCX 6246.
Contraportada y portada.
Funda interior.
Funda interior.
Disco, lado 1.
Disco, lado 2.
Etiquetas lados 1 y 2.
Pink Floyd:
David Gilmour. Guitarras eléctrica, acústica, slide, bongos y voz.
Richard Wright: Órganos Hammond y Farfisa, piano, vibráfono, bongos, coros.
Nick Mason: Batería, percusiones.
Letras:
Cirrus Minor.
(Waters)
In a churchyard by a river,
Lazing in the haze of midday,
Laughing in the grasses and the graze.
Yellow bird, you are alone
In singing and in flying on,
In laughing and in leaving.
Willow weeping in the water,
Waving to the river daughters,
Swaying in the ripples and the reeds.
On a trip to Cirrus Minor,
Saw a crater in the sun
A thousand miles of moonlight later.
The Nile Song.
(Waters)
I was standing by the Nile
When I saw the lady smile.
I would take her out for a while,
For a while.
Oh, my tears wept like a child.
How her golden hair was blowing wild.
Then she spread her wings to fly,
For to fly.
Soaring high above the breezes,
Going always where she pleases.
She will make it to the islands in the sun.
I will follow in her shadow
As I watch her from my window.
One day I will catch her eye.
She is calling from the deep,
Summoning my soul to endless sleep.
She is bound to drag me down,
Drag me down.
Crying Song.
(Waters)
We smile and smile
We smile and smile
Laughter echoes in your eyes
We climb and climb
We climb and climb
Footfalls softly in the pines
We cry and cry
We cry and cry
Sadness passes in a while
We roll and roll
We roll and roll
Help me roll away the stone.
Up The Khyber.
(Mason / Wright)
Instrumental.
Green Is The Colour.
(Waters)
Heavy hung the canopy of blue
Shade my eyes and I can see you
White is the light that shines through the dress that you wore
She lay in the shadow of the wave
Hazy were the visions of her playing
Sunlight on her eyes but moonshine made her cry ev'ry time
Green is the colour of her kind
Quickness of the eye deceives the mind
Envy is the bond between the hopeful and the damned.
Cymbaline.
(Waters)
The path you tread is narrow
And the drop is shear and very high
The ravens all are watching
From a vantage point nearby
Apprehension creeping
Like a tube-train up your spine
Will the tightrope reach the end
Will the final couplet rhyme
And it's high time
Cymbaline
It's high time
Cymbaline
Please wake me
A butterfly with broken wings
Is falling by your side
The ravens all are closing in
And there's nowhere you can hide
Your manager and agent
Are both busy on the phone
Selling coloured photographs
To magazines back home
And it's high time
Cymbaline
It's high time
Cymbaline
Please wake me
The lines converging where you stand
They must have moved the picture plane
The leaves are heavy around your feet
You hear the thunder of the train
And suddenly it strikes you
That they're moving into range
Doctor Strange is always changing size
And it's high time
Cymbaline
It's high time
Cymbaline
Please wake me
And it's high time
Cymbaline
It's high time
Cymbaline
Please wake me.
Party Sequence.
(Waters / Wright / Gilmour / Mason)
Instrumental.
Main Theme.
(Waters / Wright / Gilmour /Mason)
Instrumental.
Ibiza Bar.
(Waters / Wright / Gilmour / Mason)
I'm so afraid of the mistakes that I made
Taking every time that I wake
I feel like a hard-boiled and cut-up man
So give me a time when the countries will lie on the storyline if kind
Are days are made since the first page
I've lived every line that you wrote
Take me down, take me down, from the shelf above your head
So give me a time when the countries will lie on the storyline if kind
And if I live on the shelf like the rest
And if love bleeds like a sad song
Please pick-up your camera and use me again
So give me a time when the countries will lie on the storyline if kind
Yea.
More Blues.
(Waters / Wright / Gilmour / Mason)
Instrumental.
Quicksilver.
(Waters / Wright / Gilmour / Mason)
Instrumental.
A Spanish Piece.
(Gilmour)
Pass the tequila, Manuel
(glug, snort)
Listen, gringo, laugh at my lisp and I kill you
I think
This Spanish music
It sets my soul on fire
Lovely seniorita
Your eyes are like stars
Your teeth are like pearls
Your ruby lips.
Dramatic Theme.
(Waters / Wright / Gilmour / Mason)
Instrumental.
Para el film se crearon 16 temas, pero solo 13 se incluyeron en el álbum. Estas canciones sólo pueden escucharse en la película y en la compilacion "1969 DRAMATIS/ATION" del Box Set "The Early Years":
Hollywood.
(Gilmour)
Instrumental.
Theme (Beat Version).
(Waters / Mason / Wright / Gilmour)
Instrumental.
Seabirds.
(Waters)
Mighty waves come crashing down,
The spray is lashing high into the eagle's eye
Shrieking as it cuts the devil wind,
is calling sailors to the deep
But I can hear the sound of seabirds in my ear
Surf is high an' the sea is awash
An' a haze of candy floss, glitter and beads
Rock that we sat on and watched in the sun
That was hot to touch
And the sea was emerald green
I can hear the sound of seabirds in my ear
And I can see you smile
Surf comes rushing up the beach
Now will it reach the castle wall and will it fall
Catfish dappled silver flashing
Dogfish puffing bubbles in my deep.
Incluido en:
1979 The Firts XI (Box Set).
2011 Discovery (Box Set).
Otras ediciones incluidas en este sitio:
⚫ L.P E.U · 2016 · Pink Floyd Records · PFRLP2.
⚫ L.P U.S.A · Tower Records · ST-5169.
⚫ L.P U.S.A · 1973 · 5ª Edición · Harvest Records · ST-5169.
⚫ L.P U.S.A · Tower Records · ST-5169.
⚫ L.P U.S.A · 1973 · 5ª Edición · Harvest Records · ST-5169.
💿 C.D E.U · 2007 · Oh By The Way Box Set · EMI Records · 5099951 109028.
💿 C.D U.S.A · Capitol Records · CDP 7 46386 2.
💿 C.D U.S.A · Capitol Records · CDP 7 46386 2.
💿 C.D U.S.A · 2011 · Discovery Box Set · Capitol Records · 50999 028938 2 2.
💿 C.D Japón · 1987 · Toshiba - EMI Records Records · CP32-5273.
💿 C.D Japón · 1996 · Toshiba - EMI Records Records · TOCP 8791.
💿 C.D Japón · 2010 · EMI Music Japan · TOCP-53976.
💿 C.D Alemania · EMI Records · CDP 7 46386 2.
💿 C.D Japón · 1987 · Toshiba - EMI Records Records · CP32-5273.
💿 C.D Japón · 1996 · Toshiba - EMI Records Records · TOCP 8791.
💿 C.D Japón · 2010 · EMI Music Japan · TOCP-53976.
💿 C.D Alemania · EMI Records · CDP 7 46386 2.
ResponderEliminarMore is the third studio album and first soundtrack album by English rock band Pink Floyd. It was released on 13 June 1969 in the United Kingdom by EMI Columbia and on 9 August 1969 in the United States by Tower Records.
The soundtrack is for the film of the same name, which was primarily filmed on location on Ibiza and was the directorial debut of Barbet Schroeder. It was the band's first album without former leader Syd Barrett.
The album was a top ten hit in the UK, but received mixed reviews. Several songs became live favourites over the following years. Like other Pink Floyd albums, it has been reissued on CD with additional material and outtakes.
Background:
Pink Floyd recorded several pieces of film music before this album. In December 1967, they were featured on the BBC's Tomorrow's World, playing along to a light show, and the following year recorded some instrumental music for the film The Committee.
The film More featured a young hitchhiker in Ibiza who had succumbed to heroin abuse with party scenes and drug taking.
Director Barbet Schroeder was a fan of Pink Floyd, and brought a rough cut of the film to London for them to work with.
Instead of typical background music, Schroeder wanted the songs to feature in the film, such as a record playing at a party.
The group also speculated they could branch out into a career as film composers if their recording and touring career did not work out.
Drummer Nick Mason later said the film was "ideally suited to some of the rumblings, squeaks and sound textures we produced on a regular basis".